The Hunger Games: Catching Fire (2013, directed by Francis Lawrence) is more or less the same film as its predecessor. The filmmakers behind it prove that they are savvy to the way people consume sequels. That it also happens to be better than its predecessor in just about every conceivable way is just some kind of weird alchemy that happens with sequels sometimes, perhaps because it can jump right into the story without having to set up the primary conflicts and relationship (or the world in which it takes place), but I think it's more than that. The craft--for want of a better word--is better. This film cost considerably more than its predecessor and that expense winds up on the screen. This is a case of more being more. But it's not just that, either. Francis Lawrence (presumably no relation to star Jennifer Lawrence) comes to the film from genre filmmaking and proves to be more adept at the film's genre requirements than Gary Ross ever was. The action in this film is more comprehensible, the genre beats more on the mark, and in general, the style of the film is smoother and less rawboned. This is true even in the film's more miserablist settings, where Lawrence has reined-in the lazy shaky-cam of its predecessor and created images of surprising power. The opening shot of Katniss, for instance.
Showing posts with label The Hunger Games: Catching Fire. Show all posts
Showing posts with label The Hunger Games: Catching Fire. Show all posts
Monday, December 16, 2013
Where There's Smoke
Posted by
Vulnavia Morbius
at
10:19 AM
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Labels: 2013, Science Fiction, The Hunger Games: Catching Fire
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