In the mostly silent opening of André Øvredal's latest film, Mortal (2020), there is a huge sense of landscape. Even once the film moves out of its initial wilderness about ten minutes in, the landscape is ever-present. Filmed on location near a couple of Norway's more scenic fjords, it acts as a tourist promo to a point that I said to my long-suffering partner--who was folding laundry in the other room at the time--"What do you think about moving to Norway?" "What's in Norway?" she asked. "Fjords! This movie is gorgeous!" She waited two beats before answering: "So you're pining for the fjords?" She has excellent timing.
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