There's always an awareness of politics in the selections at True/False. Non-fiction filmmakers are practically the only muckrakers left in a media landscape dominated by corporate control or authoritarian hegemony, so any documentary festival is going to program its share of political fire bombs. The first film I saw at True/False this year was Dirty Wars, one such fire bomb. It seems only fitting to me that the final two films I saw were almost as incendiary.
Posts
