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Saturday, August 24, 2019

The Family That Plays Together...

Samara Weaving in Ready or Not (2019)

Sometimes it's better to be lucky than good. Ready or Not (2019, directed by Matt Bettinelli-Olpin and Tyler Gillett) hit theaters a mere week after the similarly themed Blumhouse/Universal film, The Hunt, was pulled from release after whining from conservatives about "coastal elites" hunting red-state salt of the earth for sport*. Ready or Not punks this in hilarious ways. Mind you, I haven't seen The Hunt, but from the trailer, I get the feeling that maybe, just maybe, there's a certain amount of misinterpretation going on here. The trope of the rich hunting the poor for sport is not new. There are plenty of pulp novels that use this plot and there are rip-offs of The Most Dangerous Game without number. Hell, one of the films that came out at the start of 2019, Escape Room, used this trope, too. Moreover, the dichotomy between hunter and hunted has never been about liberal versus conservative, so much as it has been haves versus have nots. There's a core of Marxist critique of a murderous, decadent aristocracy in this trope that cannot be erased no matter how much you try, and it's amplified by appearing in an era of unrestrained billionaire plutocrats. There's a line in John Woo's Hard Target that makes all of this explicit when Lance Henricksen's hunting guide explains to a client that "It has always been the privilege of the few to hunt the many." Ready or Not is very much coded along these lines. It's lucky in its timing because it fills a void that might otherwise not have existed.

Friday, August 09, 2019

Two for the Road

Dwayne Johnson and Jason Statham in Hobbs & Shaw

I knew I was going to owe my brain an apology when I sat down to watch The Fast and the Furious Presents: Hobbs & Shaw (2019, directed by David Leitch), so I'm mildly surprised that it wasn't quite as dumb as I was expecting. What I got was a ridiculous action movie starring Dwayne Johnson and Jason Statham, and it delivers the action thrills promised by the trailers. It's been a weird evolution for this film's overall franchise from street racing b-movie to sci fi espionage epic. The only franchise I can think of to undergo an even more drastic evolution is Don Mancini's Chucky movies. But that's a different matter. This is as deep a movie as a slick of rain on concrete, but I did notice odd flourishes seeping in from the ambient culture.