I'm surprised that Upgrade (2018, directed by Leigh Whannell) actually made it into theaters. A science fiction/horror hybrid with a modest budget, it's exactly the sort of thing that Netflix and other streaming services have been gobbling up of late. It's good enough to justify the theatrical release, but in past years, this is a film that would have found its audience as a perennial inhabitant of the back shelves of mom and pop video stories. It has a 1980s feel to it. It has films like The Terminator, Robocop, The Hidden, Screamers, Total Recall, and Videodrome in its DNA. And yet, it's contemporary, too. It's a film about post-humanism, trans-humanism, and the Singularity, and as such it's entirely of this moment in time. It's a pulp fiction version of Ex Machina, with echoes of Moon and Under the Skin. It is not a film that reinvents or thinks deeply about the themes it inherits from these sources. Like many genre films, this is a film that's focused mainly on story. It doesn't linger on anything that doesn't drive its narrative. But some of the things that do serve the story are more food for the mind than one normally expects from a pure genre film.